Due to
Dunne’s research focuses on the relationship between electronic objects and the
realms of poetry and aesthetics. Dunne and Raby posit
themselves as applied conceptual artists. They also remind us to rethink the
relationship between machine and human.
Through
the work “Technological Dream Series: No. 1,
Robots—Robot 3”, Dunee and Raby ask what new forms of furniture might evolve in
response to future technological developments? Robots are destined
to play a significant part in our daily lives, but how will we interact with
them? What new interdependencies and relationships might emerge in relation to
different levels of robot intelligence and capability? Their products maybe not
so user-friendly, they focus on discussing about “para-functionality” inside
the electric products. Using the poetic distance as a strategy to make
estrangement from our daily life.
Although in films, iris scanning is always
based on a quick glance. In Dunee’s work, for the furniture needs to be sure
the owner, the machine demands that user stare into its eyes for a long time.
Therefore, maybe we should shift our attitude to suit our daily life and learn
how to treat with our furniture like another family member.
Steve Jobs said, “Some people think design is about how
it looks. But of course, if you dig deeper, it’s really how it works." I
consider about dunee’s design thinking maybe likes an abstract machine; it
always poses a critical imagination, to finding problem rather than problem
solving.
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